Review by Ian Sales
UK sf author Justina Robson managed a remarkable achievement at the beginning of her career: her first two novels were both shortlisted for the Arthur C Clarke Award. Unfortunately, she has yet to be nominated again – though both Natural History (2003) and Living Next-Door to the God of Love (2005) deserved to be. Robson has also been shortlisted three times for the BSFA Award, twice for the John W Campbell Memorial Award, and three times for the Philip K Dick Award. And yet, the only collection of her short fiction available was published in Australia.
Heliotrope was published to celebrate Robson’s appearance as international guest of honour at Swancon 36 in Perth, Australia, in 2011. It contains sixteen short stories, including the title story which is original to the collection. An introduction is provided by Adam Roberts. The stories stretch from Robson’s first in 1994, ‘Trésor’, to ‘Cracklegrackle’, which appeared in 2009’s The New Space Opera 2 anthology. This inclusiveness is both a strength and a weakness. Each story has both an introduction and an afterword by Robson herself.
By any metric, Heliotrope is a respectable collection, showcasing a breadth of genres and subgenres and themes – from the earthy fantasy of the title story to the hard science fiction of ‘Cracklegrackle’ (set in the same universe as Natural History and Living Next-Door to the God of Love). ‘Body of Evidence’ is near-future sf, based on the effects on people and society of a single small device – but it’s a resolutely personal look at those effects. ‘The Adventurers’ League’ is another story set in the Natural History‘s universe, but this one has a more steampunk-ish flavour as the Forged all present identities that harken back to late nineteenth century scientific romances.